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Diana Markosian’s FATHER

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Join Aperture and The Center for Armenian Arts for a conversation between photographer Diana Markosian and artist Ara Oshagan. They will discuss Markosian’s most recent publication, Father (Aperture, 2024), an intimate and engrossing diaristic portrayal of estrangement and reconnection, recounted through documentary photographs, family snapshots, text, and visual ephemera. 

Diana Markosian: Father presents the Armenian photographer’s journey to another place and another time, where she attempts to piece together an image of a familiar stranger—her long-lost father. The book explores her father’s absence, her reconciliation with him, and the shared emptiness of their prolonged estrangement after a separation during Markosian’s childhood. The images, made over the course of a decade, take place in her father’s home in Armenia. Father follows her first monograph, Santa Barbara (Aperture, 2020), in which Markosian recreates the story of her family’s journey from post–Soviet Russia to the US in the 1990s. 

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Diana Markosian (born in Moscow, 1989) is among the leaders of a new generation of photographers and lens-based artists advancing documentary storytelling through image-making. In 1996, she moved to the US from Russia with her brother and mother, leaving behind her father, who would eventually relocate back to the family’s home country of Armenia. Her photographs have been published in Vanity Fair, Vogue, and the New Yorker. Her work is represented by Galerie les filles du calvaire, Paris. The artist’s acclaimed first monograph, Santa Barbara (Aperture, 2020), was selected as one of the top books of the year by Time and the Museum of Modern Art Magazine. She holds an MS from Columbia University in New York. 

Ara Oshagan (born in Beirut) is a multidisciplinary artist, curator, and cultural worker who explores histories of marginalization, displacement, and identity. A descendant of communities uprooted from their indigenous land by the Armenian Genocide, he was born in Lebanon and displaced by war as a youth to the US. Oshagan has published four monographs and has exhibited his artwork internationally. His work has been featured in the LA Times, NPR’s Morning Edition, and Hyperallergic. His work is in the permanent collection of the Craft Contemporary Museum, Southeast Museum of Photography, Pasadena Armory Center for the Arts, and Modern Art Museum of Yerevan.

Tuesday, February 25 at 7:00 pm PST

Bird of the Holy Spirit

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“Bird of the Holy Spirit” is a groundbreaking art project by Kristina Oganezz, blending spirituality with visual artistry to create a unique preaching exhibition. Inspired by divine guidance, the exhibition features a series of paintings where Bible verses and spiritual concepts are depicted on black canvases with gold lettering. Utilizing the ancient Armenian bird-letters, inscribed on UNESCO’s Intangible Cultural Heritage list, the artworks convey hidden messages of faith, love, and salvation.

Through this exhibition, Oganezz invites viewers on a spiritual journey, where each piece serves as a reflection of life’s core values and biblical wisdom. The showcase includes art installations such as “The Hidden Sin” and “Forbidden Fruit,” addressing universal themes of temptation and redemption. A highlight of the exhibition is the unveiling of Bird Numbers, created by Kristina Oganezz, an innovative artistic contribution that complements the traditional Armenian alphabet, further enriching the nation’s cultural heritage.

Ultimately, “Bird of the Holy Spirit” aims to inspire audiences to explore their faith, embrace spiritual values. “Bird of the Holy Spirit” Preaching Exhibition – A Unique Spiritual Art Experience.

Day/Time: Friday, April 11, 2025  7:00 PM – 10:00 PM

Day/Time: Saturday, April 12, 2025  3:00 PM – 6:00 PM 

Tashtakerank (Burnt Ends)

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TASHTAKERANK (Burnt Ends) is a collection of short stories that echo Khoren Aramanu’s memories from his early childhood to the present day (Iran, Armenia and the USA), imbued with subtle humor. 

Khoren Aramouni Keshishyan is a writer, playwright, and translator. He was born in 1948 in Iran. Aramouni studied in the Armenian Studies department at the University of Isfahan for 2 years. In 1969, he repatriated to Armenia. He graduated from Yerevan State University in 1975. In 1980, Aramouni emigrated to the United States. He has been published regularly in Armenian language newspapers and magazines in the U.S. and collaborated on television programs. He is founder of I-Ben printing and publishing. He was also the U.S. representative of the Armenia based, Garoun monthly literary magazine. Aramouni’s first full-length book, Posthumous Wedding, was published in Armenia in 1992. Since 2004, Aramouni has been a member of the Writers’ Union of Armenia. In 2014, he received the William Saroyan medal from the Armenian Ministry of Diaspora. He was awarded a medal for his literary accomplishments from the Writers’ Union of Armenia in 2018.  Aramouni has been recognized for his writing by several state and local institutions in California. Aramouni has published 18 books. Seven of his plays have been staged in Armenia and the U.S. He currently resides in Glendale, California.

Day/Time: Thursday, February 13, 2025 – 7:00PM

The Pillars of Creation

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Step into the world of an extraordinary arts exhibition by Hasmik Muradyan. Join us to witness a stunning display of artistic vision and creativity. Discover the pillars that inspire and shape Hasmik’s captivating works—this is an experience you won’t want to miss!

Day/Time: Friday, May 9, 2025 7PM – 10PM

Day/Time: Saturday, May 10, 2025 2 PM – 6PM

Dance with Color

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Join us for the arts exhibition by the talented artist Mikaella. Explore her captivating creations and immerse yourself in a world of dynamic artistry. Don’t miss this opportunity to experience art that truly moves with color! 

Day/Time: Friday, March 14, 2025 7PM – 10PM

Day/Time: Saturday, March 15, 2025 2PM – 6PM

No Other Words: Haikus

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No Other Words by Karén Karslyan is an experimental collection of haikus composed exclusively of the words from Yeghishe Charents’ “My Sweet Armenia.” Through the haikus crafted with the technique of constrained writing, Karslyan engages in a dialogue with Charents, at times poking fun, and at times raising profound questions about contemporary matters, identity, recent wars, and love.

Karén Karslyan (b. 1979) is a poet, visual artist, translator, holds a PhD in English and is the chairman of the Writers for Peace Committee of PEN Armenia. He is the author of six books including, Lezvi Tsayrin (On the Tip of the Tongue), a collection of poetry (Granish, 2022); and Aterazma, a typographic film-novel (Inknagir, 2016). His Armenian translation of Lust by Kathy Acker was published by Inknagir in 2015. His writing has been featured in anthologies across multiple languages, including English, Spanish, and French. His performative lectures of Aterazma have been hosted by Coimbra University (2018) and the University of Michigan (2022). His visual art includes flipbooks and video art pieces that have been exhibited at film and art festivals. He is the recipient of the Granish Best Short Story Award (2024) and Best Poetry Award (2021), as well as NPAK’s Young Artists Award (2004). In 2003, he was recognized as Armenia’s “Scandalous Writer of the Year” by Public TV. Born and raised in Armenia, he now lives in Wisconsin.

Day/Time: Sunday, January 26, 2025 5:00 PM – 10:00 PM



The Iconography of Catholicos’ Vestments in the Armenian Medieval Miniature Painting

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The book is dedicated to exploration of historical origins and development of ceremonial vestments for the pontiff of the Armenian Apostolic Church-the Catholicos. It explores the dressing ritual, protocol and the symbolism of it. In medieval manuscripts created in Armenia prior or in main book-making centers of the Armenian diaspora, there are portraits of famous Catholicoi depicted wearing ceremonial garments. Those portraits are the base for investigating Catholicos’ vestments of the XIII-XVIII centuries, uncovering their symbolism and discussing several artistic and iconographic issues of those illustrations. This book is aimed to specialists dealing with issues of the Armenian Church culture, religious scholars, historians, ethnographers, culturalists, philologists, and the general reading public.

 

Sofi Khachmanyan was born in Yerevan. After graduating from school, she studied at the Art College No. 8 in Yerevan, attained the title of Master of Needlework Arts. Since 1988, Sofi has lived in the United States. She received her professional education in fashion design and textile science from the Fashion Institute of Design and Merchandising in 1993 (AA degree), and received her bachelor’s degree in 2006 and master’s degree in 2008 from Cal State LA. In 2014, she became a candidate at the Institute of Arts, National Academy of Science of the Republic of Armenia. In 2019, she defended her dissertation at the same institute on the topic “The Symbolism of Catholicos’ Vestments and its Iconography in Medieval Miniature Painting”, which became the basis of her First book.

 

For over two decades, Sofi has taught courses in fashion design, garment construction, textile science, and history of fashion at various higher education institutions in Los Angeles. In addition to teaching, she researches and curates two historical collections in Los Angeles belonging to the Telfeyan families, who were wealthy merchants from Caesarea. Sofi also collaborates with the Ararat Museum in Mission Hills through scientific consulting and practical work, directs the Creative Hands Art School, and is engaged in lacemaking and “Nuno” felting.

 

Day/Time: Thursday, December 12, 2024 – 7:00 PM

in.te.gra.tion

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in.te.gra.tion is an art exhibition by Haig Kargayan

Haig Kargayan is a Los Angeles based Surrealist artist. True to the Surrealist movement, Haig channels deep into the unconscious mind to bring to life, through vibrant imagery, the chaos of emotions tied to human experiences and the realities of current events.

His works heavily draw upon the everyday realities of the two worlds he has been part of, mid-east and west, war and peace.

Day/Time: Thursday, March 20, 2025 7PM – 10PM

Day/Time: Friday, March 21, 2025 7PM – 10PM

Day/Time: Saturday, March 22, 2025 7PM – 10PM

Absence

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This World and Life are not one-sided, not even two-sided, as in black and white photography. They contain everything possible and impossible. Art and creativity, in general, are attempts to reproduce this rational and irrational reality as adequately as possible, but each time, it depends on what methods are used in the process of this action. When we think about the absence that is the common basis of our disappointment and unhappiness as human beings, this is no longer enough to cope with reality because what it is is already overwhelming.

Using different methods, visual artists and composers define and communicate the presence of absence. Through a dialogue with the viewer and listener, they complete the void of absence so that the expressing and expressed world ceases to be dual; it becomes one and complete. Art then becomes the presence of absence.

Names: Josh Arias, Sam Dvin, Charlie G. Hachadourian (1954 – 2022), Irena G. Minasyan, Panorjit Palatthuam, Sev, Tigran Tahmizean, Armineh Teimourian

Day/Time: Friday, December 20,2024 7PM – 10PM

Day/Time: Saturday, December 21, 2024 2PM – 6PM

Day/Time: Sunday, December 22, 2024 2PM – 6PM